By Breanne Fahs
Too drastic, too loopy, too "out there," too early, too past due, too broken, too much—Valerie Solanas has been brushed off yet by no means forgotten. She has turn into, unwittingly, a figurehead for women's unexpressed rage, and stands on the middle of many worlds. She inhabited Andy Warhol's manufacturing unit scene, circulated between feminists and the countercultural underground, charged males cash for dialog, despised "daddy's girls," and defined a imaginative and prescient for radical gender dystopia.
Known for capturing Andy Warhol in 1968 and for writing the polemical diatribe SCUM Manifesto, Solanas is likely one of the most renowned ladies of her era. SCUM Manifesto—which estimated ATMs, test-tube infants, the web, and synthetic insemination lengthy sooner than they existed—has offered extra copies, and has been translated into extra languages, than approximately all different feminist texts of its time.
Shockingly little paintings has interrogated Solanas's lifestyles. This e-book is the 1st biography approximately Solanas, together with unique interviews with family members, associates (and enemies), and various residing Warhol affiliates. It unearths awesome information about her existence: the youngsters approximately nobody knew she had, her force for keep watch over over her personal writing and copyright, and her elusive own relationships.
Valerie Solanas addresses how this period replaced the realm and depicts an iconic determine whose lifestyles is instantly tragic and remarkable.
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Additional info for Valerie Solanas: The Defiant Life of the Woman Who Wrote SCUM (and Shot Andy Warhol)
In fact, only one of her friends from her time in New York—her partner for four years, Louis Zwiren—knew about her having a child at all. The family kept this secret for six decades. In later interviews with numerous psychologists, she denied having any children when disclosing her personal history. The question of who fathered Linda Moran poses yet another series of open questions. Valerie had started to explore her sexuality at the time, so she may have become involved with someone outside the home.
The discovery startled him: “Not knowing whether to believe it or not, he went to the National Gallery of Art in Washington and asked to talk to somebody who knew about Andy Warhol. A young graduate who had studied Warhol came out to see him. She showed him a book which had a picture of Valerie Solanas in it. ‘As soon as I saw her picture, I thought, That looks just like me. My whole world started whirring. And then I read about her. I thought, this woman sounds so wacked out. . ’”45 When the 1996 film I Shot Andy Warhol was released, David contacted its producers and got in touch with Valerie’s sister and the extended family.
Though she worked as a feature reporter in 1956, writing tame pieces (such as brief snippets on donating blood and on the costs of a graduate diploma), she began to develop more direct attacks against patriarchy and sexism in her senior year, often using sarcasm and alliteration to make her points. ”67 In a 1957 letter to the editor responding to a classmate’s claim that women seek college degrees only to find a suitable husband, Valerie wittily retorted: Do I detect a touch of male arrogance and egotism in the astute report which Mr.
Valerie Solanas: The Defiant Life of the Woman Who Wrote SCUM (and Shot Andy Warhol) by Breanne Fahs