By Brian O’Connor
Theodor W. Adorno (1903-69) was once one of many preferable philosophers and social theorists of the post-war interval. the most important to the advance of serious concept, his hugely unique and designated yet usually tricky writings not just develop questions of basic philosophical value, yet offer deep-reaching analyses of literature, paintings, song sociology and political theory.
In this complete creation, Brian O’Connor explains Adorno’s philosophy for these coming to his paintings for the 1st time, via unique new traces of interpretation. starting with an summary of Adorno’s existence and key philosophical perspectives and impacts, which contextualizes the highbrow atmosphere within which he labored, O’Connor assesses the crucial components of Adorno’s philosophy.
He conscientiously examines Adorno’s specified kind of research and indicates how a lot of his paintings is a severe reaction to some of the types of identification pondering that experience underpinned the harmful forces of modernity. He is going directly to speak about the most components of Adorno’s philosophy: social conception, the philosophy of expertise, metaphysics, morality and aesthetics; starting off distinct money owed of Adorno’s notions of the dialectic of Enlightenment, reification, totality, mediation, identification, nonidentity, adventure, unfavorable dialectics, immanence, freedom, autonomy, imitation and autonomy in artwork. the ultimate bankruptcy considers Adorno’s philosophical legacy and significance today.
Including a chronology, thesaurus, bankruptcy summaries, and recommendations for extra studying, Adorno is a perfect advent to this hard yet very important philosopher, and crucial analyzing for college students of philosophy, literature, sociology and cultural studies.
“Introductions similar to Brian O’Connor’s Adorno are a style of their personal correct with their right calls for. ... O’Connor’s kind is cautious, mercifully jargon-free, and properly suited for the style. he isn't seduced into emulating Adorno’s scintillating kind, and he handles Adorno’s abstruse options with perception and dexterity.” —James Gordon Finlayson, Notre Dame Philosophical Reviews
“O’Connor’s e-book stands proud as a very lucid and trustworthy advent to a notoriously tricky philosopher. i will give some thought to no learn of this sort that so elegantly and successfully explores Adorno’s notion and its relevance to our personal time.” —Espen Hammer, Temple collage, USA
“This long-awaited creation is a perfect place to begin for somebody drawn to Adorno’s wealthy and hard paintings. O’Connor succeeds in combining accessibility with philosophical sophistication and interpretative nuance. He unlocks significant problems with which Adorno’s writings offers us and demonstrates the long-lasting significance of non-identity thinking.” —Fabian Freyenhagen, collage of Essex, UK
“This is surely the easiest advent to Adorno on hand, and will be steered to someone hoping to familiarize themselves with this hard and profitable philosopher.” —Owen Hulatt, Unversity of York, UK
“This publication is a so much welcome boost to the Routledge Philosophers sequence. Brian O’Connor’s slender quantity may be the main concise but wide-ranging of all introductions to Theodor W. Adorno’s (1903–1969) proposal at present in print at the present time. O’Connor’s textual content merits a place at the shelf of someone who's drawn to the Frankfurt college regularly or Adorno specifically. those who find themselves attracted to studying extra in regards to the thinker by way of the identify of Adorno will be clever to choose this e-book up.” —Patrick Gamsby, Brandeis collage, USA
“...this new creation is lucid and gripping...In specific, it really is very good in bringing out the importance of Adorno’s criticisms of identity-thinking, that are too frequently disregarded as obscure.” —Koshka Duff, Marx & Philosophy overview of Books
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Extra info for Adorno (Routledge Philosophers)
S 145, my italics) An important implication of this, for Adorno, is that since mediation takes place in a totality something about the character of the ‘totality’ can be read oﬀ from phenomena which are formed within a mediated location. The speciﬁc character of the totality is imprinted on the individual thing: ‘the individual phenomenon conceals in itself the whole society … ’ (IPD 39). It is on the basis of this claim that Adorno, indebted to Benjamin, refers to the task of interpreting social facts as ‘social physiognomy’ (IPD 32, IS 48): through the right interpretation of what appears to us we can gain access to the character of those social conditions that give appearances their particular content.
This commitment guides Adorno’s own philosophical approach or style. By style I do not mean a mannerism or idiosyncrasy, but rather how Adorno, in his writings, thinks through philosophical problems. Adorno’s texts are his eﬀorts to develop, without a system, the appropriate concepts for speciﬁc topics and to deal with them in their particularity. And his position on any given topic is the totality of those concepts. The positioning of those concepts around the matter under analysis is a ‘constellation’ of concepts which, as we have seen, Adorno adopted from Benjamin.
He questions given assumptions about the material social theorists are supposed to consider and about the variety of certainty that is possible in the interpretation of society. Social analysis proceeding without a prescribed methodology gains a freedom to engage with material in new ways. It tries to gain access to ‘unregimented experience’ (IPD 57). The methodology he vehemently opposes, positivist or empirical sociology, by contrast, is accused, among other things, of assuming that society can be made transparent by identifying and categorizing ready instances of general cases.
Adorno (Routledge Philosophers) by Brian O’Connor