By Frederick Buechner
An extended Day's loss of life is a mid-twentieth-century Jamesian novel that foreshadows some of the topics in Mr. Buechner's later writing—faith, belief, and the advanced kin of friends and family. the tale follows Tristram Bone, a rotund guy of wealth and "organized rest" yet a failure with ladies, and Elizabeth negative, a wealthy, fascinating, and lovely widow and Bone's unrequited love curiosity, via a sequence of encounters with family and friends, affairs actual and imagined, gossip, jealousy, and innuendo. We additionally meet Bone's servant Emma and his puppy monkey Simon; the novelist George Motley; the smug and seductive educational Paul Steitler, Elizabeth's naïve son Lee, and her omniscient mom Maroo.
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And how is that going to work into your story~" "Oh, I'm not sure yet," he said, "I'm not sure yet whether I'll even use it, but when I work on a scene I always like to have all the possibilities at hand. You can never tell when it mightn't come very much in handy to be able to use a choir stall as a trysting place or hiding-hole or more or less anything you can think of, and though it might seem unimportant to some as to whether or not it's actually possible, whether there's really room enough in a choir stall, that's the kind of accuracy I believe in.
Stop it, stop it, stop it. " A deeper voice joined in that Elizabeth could not decipher, and then a silence. She considered getting up, but discarded the notion in favor of the cool side of her pillow, to which she turned, closing her eyes and caressing her bare 52 A Long Day's Dying 53 shoulder with her check. She realized, vaguely, half asleep, the antiquity of the situation, located herself by it as it is necessary to locate oneself with each awakening, and drew a kind of comfort or reassurance from seeing herself a woman awakened by children, part of an old joke.
Someone had dropped a cracker there, and around it, in curious pattems, as though engrossed iu some complicated game, scuttled a cockroach. It was difficult to know "hether Simon's stare was one of sympathy and understanding of the familiar game of Paling, or one of fright aud horror at the half-remPmbered and partially understood, or simply of wanton curiosity, hut it 42 A Long Day's Dying was evident that no movement escaped him. The insect now limped, its rear portion dragging along the floor with flimsy, useless legs sprawled out, feelers ticking left and right in parody of an ancient grope, now crawled swift and smooth, all black legs primed and feelers sweeping, fluctuating with art and assurance.
A long day's dying by Frederick Buechner